June 17, 2021 - August 22, 2021

Second Company @ Home: Episode 2

Second Company @ Home: Broadcast Series showcases many of the works learned and performed by the Second Company during the 2020-2021 season. These three, 20-minute episodes each include an introduction from Kansas City Ballet Artistic Director Devon Carney, two pieces performed by members of the group, and interviews with company members, as well as other behind-the-scenes footage. Click here for full list of episodes.

Kansas City Ballet Second Company is an emerging professionals’ program which gives extraordinarily talented young dancers a professional company experience as a prelude to their joining a professional company. KCB’s Second Company performs throughout the region through public performances, lecture demonstrations, residencies, and workshops, enabling the community to experience live dance in a public setting.

Watch the full episode of August Bournonville’s Flower Festival and Kansas City Ballet 2020-2021 Second Company Dancers’ Coalescence on this page (scroll down) from Thursday, June 17 through August 22. It will also be available to stream by Facebook and Vimeo.


About KC Ballet’s Second Company: Episode 2

Flower Festival
The ballet premiered on 19 December 1858 in Copenhagen and was danced in its entirety by Denmark’s Royal Ballet until 1929, when it was dropped from the repertoire. It is considered one of Bournonville’s most perfect compositions. It has to be seen in the Festival of Flowers in Genzano which is a transition to naturalism (one of the stages of Auguste’s style) and is characterized as a masterpiece of Bournonville’s international virtuosity, so that it is a clear example of the Danish style, with a very strong and quite good technique, giving greater importance to the feet. This is why he made use of the vividness and variety of the jumps, the softness of the feet, the speed and brilliance of the small battery. The original ballet disappeared shortly after its premiere, but in 1875, Bournonville made a divertissement, in which he kept the pas de deux he had used in the montage he had already made for the Vienna Festival of Flowers. This remained in the repertoire until 1929 but in 1949 Harald Lander (director of the Royal Ballet) took it to the stage. That is why the entire ballet is lost but the fragment remains. It is considered one of Bournonville’s most perfect compositions. It is often performed in ballet finery to show the Bournonville style. (provided by WIKIPEDIA)


CREDITS

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Second Company: Episode 2. Click Play

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If you continue experiencing troubles, please email Karen Badgett.

Meet the Choreographers

August Bournonville, born in Copenhagen in 1805, was a dancer and choreographer who directed the Royal Danish Ballet for nearly 50 years and established the Danish style based on bravura dancing and expressive mime. He studied under his father, Antoine Bournonville, one of the major dancers of his day, before going to Paris for further training under Auguste Vestris and Pierre Gardel. After appearances at the Paris Opera and in London, Bournonville returned to Copenhagen as soloist and choreographer for the Royal Danish Ballet. A strong dancer with excellent elevation and an accomplished mime, he emphasized these qualities in his ballets. His choreographic style also reflected the pre-Romantic approach of his teacher Vestris. Many of his ballets have remained in the repertoire of the Royal Danish Ballet for more than a century. Bournonville also directed the Swedish Royal Opera at Stockholm (1861-64) and staged several of his works in Vienna (1855-56). In 1877, after his return to Denmark, he retired and was knighted. He died on November 30, 1879 in Copenhagen.

The Second Company, which includes KCB II and Trainees, performs throughout the region through public performances, lecture demonstrations, residencies and workshops, enabling the community to experience live dance in a public setting.

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