It’s a privilege for Kansas City Ballet to perform this landmark creation by the world-class choreographer Val Caniparoli—one of his signature works.
Caniparoli is no stranger to Kansas City Ballet. In February 2010, the company presented his Lambarena with its striking music, a mix of Bach and African rhythms. Then in May of 2017, our company performed his dramatic and intense ballet, The Lottery, based on Shirley Jackson’s shocking short story by the same name.
For Lady of the Camellias, his choreography demands a physical technicality and profound artistry from the dancers to express the breadth of emotion in this compelling story. It’s an intense artistic challenge and an opportunity for our dancers to develop true three-dimensional characters. We continue to raise the level of artistic content and thus, the quality of our artists. Building on this momentum keeps moving them forward, as we continually find productions to benefit both you, our audience, and our dancers alike.
In this particular ballet, our journey includes experiencing romantic interludes with Armand, a young countryman, and Marguerite, a famous courtesan as they become entangled in a forbidden affair. These two come from differing backgrounds and socio-economic levels, but they discover true love. At its heart, this is a story of love at its deepest and most sincere. And this strong romantic connection between these two characters makes this such a great story ballet—one that will surely endure for the ages.
Despite everything they experience, Marguerite has faith in Armand and hope for their life.
Love is indeed the greatest power one can experience in life.
Ultimately though, the forces working against them lead to heartbreak and loss. Of course, the
final scene rips your heart apart with such romance and compassion and yearning for what might have been.
Through it all, I’m reminded of this famous quote from George Sand: There is only one happiness in this life, to love and be loved.
I couldn’t agree more.